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Hear the glorious sound of Porsche 917K flat 12 cylinder on track. Racecars today don't have that small nuclear explosion on up shifts anymore,

2/21/2015

 
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Hear the glorious sound of a Porsche 917K Flat 12 cylinder. Porsche 917K Flat-12 Pure Engine Sound.  Racecars today don't have that small nuclear explosion on up shifts anymore. What a car!

BMW Classic E28 M5 is a race bred heart that will never die

2/17/2015

 
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In 1989, Randy Balingit-Hartmann bought the first BMW M5 brought to San Diego and has owned it ever since. As someone on the shy side, Randy wanted a car that fit his personality—one that was fast and powerful yet unassuming. In all its unassuming four-door glory the E28 M5 is often overlooked, but this sedan packs the same amount of power as Ferrari 308 GT and if not respected will surprise you in the turns of your favorite road. Randy has had this car through the ups and downs of life and has put over 400,000 miles on it with no major problems. Dedicated to the M5 for life, Randy will continue driving it the way it was meant to be driven with its detuned racing engine—like he stole it.


Surreal Video Shows Freediver Riding an Underwater Ocean Current

2/4/2015

 
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“Ocean Gravity” is the second collaboration between free diver Guillaume Nery and filmmaker Julie Gautier. The short film was shot underwater at the Tiputa Pass in Rangiroa at the Tuamotu Archipelago in French Polynesia. Nery seems to float effortlessly through the water (like he’s floating in space) as he rides an underwater ocean current.

“Ocean Gravity is a short film that turns underwater codes upside down and plunges us this time into a weightless world. Just like in space, there is no more up or down, no more right side up or upside down. The ocean becomes the cosmos, man becomes a satellite, and the bottom of the sea turns into an unknown planet. Welcome in the unsettling universe of Ocean Gravity.” 

Gautier adds:

“I decided to film without considering the elementary framing rules. I was no longer limited by the idea of top and bottom, like in space. In those conditions, I was able to create the natural illusion of a curved planet. The big challenge was to avoid filming the abundant sea life (sharks, dolphins and numerous fish) to maintain a spatial and non-marine atmosphere.” 




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